Cue markers won’t move from their current positions except for the 4th command option: Ripple Delete Time Selection in All Tracks. Ripple deleting works more like Word Processing in that clips to the right of what’s being deleted are moved to the left to take up space based on what type of Ripple Delete you are doing.ĭon’t worry - deletions can be easily undone with or &. When deleting clips or time selections, they are normally just erased and no other clips move. Hold or to drag a clip and not have it snap to anything if you have Snapping On. Hold & or to copy it to another track and keep it locked in time. Hold to move it to another track and keep it locked in time. These next ones will require you to grab the header of the clip. Just press escape to get out of this while you have your mouse button held. Beware: if you do grab the header of the clip and drag it with or, it will make a copy of it and bring up the popup menu. Hold the right mouse button to drag a clip without needing to grab the header of the clip. When dragging multiple files into the multitrack, hold down or to choose between dropping files on one track or separate tracks. + (Period) Nudge Clip Right +5īecause I use nudge 1 more often that 5, I’ve customised my keyboard to do the opposite and not use the Alt key. Being zoomed in close will cause smaller moves than being zoomed out, even using the same adjustment amount. How much movement occurs depends on your zoom level. This allows Gentle Movement of clips for lining up things without fiddly mouse movements. Move playhead to next significant point in a track: a Marker, or the Start or End of a clip. Press to return to the normal Time Selection Tool. Press twice to select the double razor to split over all tracks Time Selection Tool - the default editing tool Keeps what you highlight and removes the rest. & Capture a noise reduction profile for the Noise Reduction effectĪdd Stereo Audio Track or & Īdd Stereo Bus Track or & ĭelete selected Track + + Move Playhead to End of Waveform or Multitrack Move Playhead to Start of Waveform or Multitrack It will do the selection and view ranges for you instead of you fiddling around in the main multitrack getting the view and selection you want. Likewise, when changing the values in the Selection/View panel: Hold or for fine increments,Īnd or for large increments Using your mouse to drag the blue number values throughout Audition: Zoom Out Full (Selected Track) & ĭelete Selected Marker or & (zero) Toggle between Waveform and Multitrack View GlobalĬommands to use in both Waveform and Multitrack Otherwise, a keyboard shortcut as outlined below will be your next step. Make that your first ‘go-to’ for relevant commands to do with what you’re currently working with. Nearly every element in Audition has a right-click menu for it. It’s a shame this forum code doesn’t allow tables. But I also don’t really want to enter an extra line for each platform’s controller key. Personally I’m not too happy with using two controller keys in the one line, as it seems to bulk out and make the line untidy. But perhaps what I’ll do is duplicate this post and do one just for Windows users just to compare and for you to view and give your opinions on. I am putting the keys in brackets and making only the KEY text bold, not the brackets. I always use the controller keys in Sentence case I dont know the proportion of Mac to Windows users there are here.) I always include both the Windows and Mac controller keys, ie, &, and, &, and putting the Mac controller keys first (to keep the Mac users happy. Note from a post below by Cyberlarson, an oversight I simply forgot to mention here is to try and keep a consistency in the formatting of this Wiki.Īs the Wiki started out, I’ve constantly been making improvements to it to make it easy to read and find things. Thanks for for getting us started with great tips on the live stream today! Those that you use every day and that improve your workflow. A place to post all your useful Adobe Audition keyboard shortcuts.
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